Black and Ochre #2, 2014, acrylic on canvas, 54" x 72", 9 panels

Black and Ochre #2

2014, acrylic on canvas, 54" x 72", 9 panels

Primary & Complementary Abstration, 2015, acrylic on canvas, 72" x 56"

Primary & Complementary Abstration

2015, acrylic on canvas, 72" x 56"

Black & White Abstract #1, 2015, acrylic on canvas, 24" x 18"

Black & White Abstract #1

2015, acrylic on canvas, 24" x 18"

Butterfly #1, 2014, acrylic on canvas, 30" x 30"

Butterfly #1

2014, acrylic on canvas, 30" x 30"

Geometric Abstraction #14, 2014, acrylic on canvas, 24" x 18"

Geometric Abstraction #14

2014, acrylic on canvas, 24" x 18"

Nucleus and Coma #1, 2014, acrylic on canvas, 72" x 56"

Nucleus and Coma #1

2014, acrylic on canvas, 72" x 56"

Geometric Abstraction #13, 2014, acrylic on canvas, 24" x 18"

Geometric Abstraction #13

2014, acrylic on canvas, 24" x 18"

Geometric Abstraction #12, 2014, acrylic on canvas, 24" x 18"

Geometric Abstraction #12

2014, acrylic on canvas, 24" x 18"

Brooklyn-based painter Sam Jungkurth at his Chelsea, New York exhibition of large, colorful geometrical paintings.

Sam Jungkurth has been a professional New York artist for four decades, exhibiting in various galleries and cultural institutions. His talent was recognized early on. As a student he was awarded a grant from the Tyler School of Art to spend a year studying in Rome, Italy.

Jungkurth is unafraid to explore new ways of creating images. His early figurative work led him to abstract the human form, creating vital and unique shapes. After completing a rich body of abstract work he returned to natural forms with great originality and freshness. He tends to work in series, developing themes from the “Nudes in a Geometric Landscape” and “Linear Geometric Abstraction” to “Woody and Dolly.”

Different artists' 'Points of View' are presented at Chelsea gallery
— examiner.com